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Adhur is a Basque word meaning magic strength, and it is related to the moon and personified by the goddess Mari. Eate, who founded the band, chose the name because it defines his necessity to express the real meaning of his being and his relationship to the ancient Basque world through music.

Later Egoitz joined the band and so the band was established as follows:
Eate: voice, guitars, percussion.
Egoitz: bass, key boards.

The three songs recorded for this split CD belong to the Basque mythology and world view, and each of them is closely related to this fact. Adhur

"Sua" (fire) means creation, the beginning, and at the same time it is the first song. The following, "Akelarreko batzarra" (the gathering of the akelarre), deals with the return of the legitimate owners of the earth, the real gods, and the mention of the akelarre represents the germination of the seed, for the akelarres are a fecundity rituals of the goddess Mari,, the most important one in the Basque mythology. The third song, called "Iluno" (Darkness), an ancient word found in a prehistoric Basque tomb and written in ancient Basque, deals with the death of this person and his conversation with the goddess Mari, who is embodied by the moon. Thus the cycle finishes with the birth, the fertility, and the death, the natural cycle of life.

The following musicians collaborated in the three songs:
-Mezzo-soprano: Ainhoa Soraluze.
-Baritone: Josu Lopez S.
-Flute: Haritz Solupe. ( Ilbeltz )
-Violin: Leire Elizes.
-Drums: Barrene.

Aiumeen Basoa was founded in 1994 with the following members: Egoitz (bass, manuals), Beleak (guitar, voice), Mikelot (guitar, voice), and Belainotz (drums). Later joined the band Paul (wind instruments), Herio (key board), Ibone (voice), and Aitor (violin). Thus the band achieved a complete and stable formation. Aiumeen Basoa

Those recorded the Intro and the other two songs included in this Split CD. The songs recorded in a digital 8 tracks are the following:

"Sorrera" (Intro) represents the creation of an ethereal world. "Aiumeen Basoa (Arlekina)" reflects the sad and unknown life of a harlequin. And in "Aintzinako guduen oroimenez" an old tree tells the story of an ancient battle to a wanderer who is tired of walking around.
For that song, Ibai from Ilbeltz collaborated with his voice in some passages. Aiumeen Basoa gives importance to the mythology of its land, Euskal Herria (Basque Country), which is full of legends such the ones dealing the Akelarres or with the burning of the so-called witches in bonfires. It all influences both the lyrics and musical direction of the band.

The group that later became Ilbeltz was founded in San Sebastian. The music styles practised so far looked like far away from the ideas they had at that moment, and their purpose was to play heavy metal but not any kind of it. Even though different feeling will appear all through them songs, they had to be at the same level; that is to say by keeping the possible highest feeling. Ilbeltz

Finally the group adopted the name of Ilbeltz and they played various concerts with the following members: Ibai Mendinueta (guitar and voice), Haritz Solupe (guitar and chorus), Aritz Ipinazar (bass), Joseba Zubiaurre (drums).

As their purposes became wider with the development of their music, the members of the group also changed:
Ibai Mendinueta: both lead and rhythm guitar, main voice, chromatic accordion, and key board.
Haritz Solupe: both lead and rhythm guitar, whistle, and chorus.
Egoitz Andonegi: bass.

And the following people collaborated in the recording of split CD -"Triarchy. Of Vasconia"
Barrene: drums.
Beleak: screams (Aiumeen Basoa).
Olatz Oiarbide: flute.
Eate: growls (Adhur)
Leire Elizes: violin.
Jon Troitiño eta Oier Elorza: txalaparta.
Julen Sota, Iker Goñi; Oihane Arruarte eta Idoia Arana: irrintzi, garrasi eta txistuak.

Concerning the style, they think that there are some similarities between both classical and extreme metal, and they are looking for that among other things.

But we also like other musical styles apart from the heavy (being that the main pillar of the group): classical music, blues, jazz, Celtic music, ethnic music and many more.

Dealing with the two songs they have chosen for this CD , they could say that they represent two faces of them mood but they are one at the same time. In the first one, "Itsasoaren nigarra", taking into account the lack of an orchestra, the intro is played with a key board, although it was written for a concert. This song especially shows them classical side, although many guitars and black voices can be found there.

They consider very important that music should be a self-sufficient way of expression, and the presence of more passages without lyrics is representative of that.

The song "Itsasoaren nigarra" expresses a situation in which a whale fishing boat regrets fighting in the army in the name of the King and God, so then they ferociously fight against a galleon of the king and win making the galleon sink.

In the place where the whale does not need to breath, there is a fisherman who will not use the harpoon once more. He feels in peace himself, and so being more merged into nature, he is capable of perceiving the conversation between the moon and the sea (quite an non-understandable duty for the vast majority).

The melodic voice represents a fisherman who was as lucky as to see the victory. Meanwhile, the black voice stands for a sailor who lost his life in the depth of the sea. Then at first their combination shows the survivor´s rage echo spreading all through the sea. Likewise at the end, the echo comes from the words of the dead, who knows from his peaceful mood that the fishermen will sink soon.

Concerning the song "Orreaga", they have to mention that it is one of our longest songs together with the previous one. Being instrumental means freedom and pleasure for us.

This song is the musical narration of the fight between the Wascones and the troops of Charlomagne in Orreaga. It is easy to find out a lot information about that in history books. The first acoustic passage, the beginning of the song, shows the peace, calm and beauty of the landscape, which is broken when drums and distortion enter as representatives of the slow troops´ oppressing power.

Later tension grows up until it turns out to be a neverending fight. Many different points of view may be understood within the battle, and all of them will continue until they vanish in the final attempt.

March 1993
This is the beginning of EYE SEE BLACK. We all played in different bands before doing rock covers or playing some kind of Hard Rock and Heavy Metal. But when we get together in this line-up we all want to play aggressive Thrash Metal.

December 1993
We are working very hard on us as musicians and are writing new songs. We decide to take part at the famous JOHN LENNON TALENT COMPETITION in Hameln. Our engagement pays off in winning the first price at this event in the line of self composed music.

February 1994
Our motivation increases and we are very fast in writing new material. So we are producing our first demo, called "eye see black". Because of the good reviews in many fanzines, mag's and radio shows we are able to play many gigs in the following time in Germany.

October 1994
We are working even harder on our new songs and produce our second demo "brainwashed".
We get better reviews on our new output so we could play live with bands like Jingo De Lunch, Q-Squad, Terry Hoax, Shifty Sheriffs, Fury In The Slaughterhouse...

May 1995
Again we get a �reward" for our musical working: EYE SEE BLACK win the first price at the Hildesheimer Newcomer-festival.

December 1995
Guess what? We've got new material, so we are entering the studio again. "the rage within" demo is the result of our recording sessions. We play this year with bands like GWAR, Dark At Dawn, Guano Apes, Vivid, Terrorgruppe, Catty Caress,...

March 1997
We are very happy about the great life experiences we got on all those gigs and tours. But it is time to put some new songs on tape.

July 1997
We decide to make a whole CD, because of the good sound quality of our new recordings.

1998
We got great reviews on our CD in MAGAZINES like Rock Hard, Metal Hammer, Bodystyler, Heavy oder was? and many Fanzines. Here are some bands we played this year: are Iron Saviour, Stahlhammer, Edguy, Dew-Scented, Fleshcrawl, Hate Squad, Obscenity, Undertow, Madman's Diary, Headshot, Final Cry, ...

1999
We play Gigs with EARTH CRISIS, Sick of Society, DIE ALLERGIE, Dry Rot, Crackdown, FARMER BOYS, EAT NO FISH, Mindashes, Contradiction, ...

2000
We play till the doctor comes...and we take a rest...a rest? Some of us have to pass test at University or try to get real say jobs...it's a hard time...

        ARGENTUM was formed in 1989 under the name of BURIAL. After a couple of years we changed our name to Argentum, a symbolic darkname and we began our recording work on "Matter Misericordiae" out in May 21 ´93... "Matter Misericordiae" shown a litle of ARGENTUM´s macabral atmosphere while we received a positive response in many mags,underground zines and radio stations all over the world and many reviews from important ones like PEARDROP MAG ( FRA ) / METAL MANIACS ( USA ) / SOD MAG ( USA ) / THE PIT ( USA ) / TERRORIZER ( UK ) / STREGOICA MAG ( FRA ) / VOICES FROM THE DARKSIDE MAG ( GER ) /MORTICIANUMSKULL MAG ( NETHER ) and record labels like PEACEVILLE REC ( UK ) / UNISOUND REC ( GRE ) / WONDEDLOVE REC ( ITA ) / NUCLEAR BLAST REC ( GER ) / FULL MOON PROD ( US ) / DANZA IPNOTICA RECORDS ( ITA ) and HOLY REC ( FRANC ) / MERCYLESS REC ( GER ) between others.
        "Exothaernium" is the name of the second Argentum´s epic creation. "This is the continuing dark journey to the deepest, obscure, melancholic, symbolic & myghty Argentum´s kingdom of deathell"... say Led from UNHOLY SACRISTHYAS MAG ( COL ) , "I liked their last demo already a lot but of course, this is even better"...says Chris from EXUMED MAG ( GER ).
        There was a great positive response world-wide bringing to the band different offers to record deals and signed up with FULL MOON PROD ( US ) for the first full-length CD "Ad Interitum Funebrarum", Argentum is now one of the most macabre music bands ever known for the human being, and that CD is not the exception.
        That CD received a great response and good reviews world-wide. "Dark and atmospheric black/death metal with a touch of doom metal. "Argentum managed to combine all these different types of music and released a real masterpiece...." MOONLIGHT MAG ( US ) , "Truly dark, it´s fucking amazing...." ANCIENT BLACK ART MAG ( US ) , "The best non-european debut of 1996...." RADIO AGORA ( FRA ) , "A really good release, I don´t think anything negative would be appropiate here...." COUNTER ATTACK MAG ( BULGARIA ) , "Argentum is southamerican black metal genious, epic, majestic metal symphonies possessed by an original & dinamic sound..." TERRORIZER MAG ( UK ) , "Depressive and mystical mid paced, keyboard heavy, and a bit epic death metal, occult metal in it´s more interesting forms..." DESCENT MAG ( USA ) , "It´s the most original and the best dark art creation released..." CRANIUM MAG ( LITHUANIA ) , "A realy killer release of pure dark metal art, that is surely between my 10 all time records..." DANZA IPNOTICA RECORDS ( ITALY ) ......
        Argentum´s line-up combine the "Darkest Feelings with the Supreme Deepest Entity´s Adoration of the Mortum Escence with Matter Misericordiae´s Cult according the Ancient Alchemist-Oscurantist Filosophy".

    Khabee Asura Baba Bathra............lex mortum, aetheriam voxum
    Darkkus Baron Samedi...................crudelis barbaric drummer
    Antonio Berthelot de Vladislav......haunting keyboards
    Klein Klaus de Borges....................scelestus tyranus guitar
    Senoath Mortum Mahanadi............supremus pavoris bass
    Setar Fher Sabboth.........................mundanus sepulcrum guitar
    For those the thought that everything has finished THIS IS JUST THE BEGINIG OF A NEW FUCKING NIGHTMARE!!!!

"Argentum is a dark symbolic alchemist name in ancient medireview latin lenguage and means something as the the begining and ending from everything over this planet, everyone really into seriously mystic obscurantism and alchemy already known Argentum means"

"Currently we think it is uncategorizable, we try to mix a dark-doomy sound with many feelings about music expressions toward the death (muerte, tod, mrtyum) some people will probably say Black-Death or Dark-Doom.....I don´t care about it, involuntary we call our music De Mortis Allegoric Obscurantist Music, a strange complex definition, isn´t it...?"

"We try to meet our personal subconcious about the real exploration beyond death, as can feel we are personalized with death and obscures emotions like that to show another lost places into ourselves, paralled with this physical world, but the whole context around the death.....beyond, between and alone in many lenguages and somber feelings as a universal darkness"

"We enjoy to listen to a lot of music from KING CRIMSON to extreme music as BATHORY, the obscure experimental-neoprogresive dark such as: JACULA, DEVIL DOLL, UNIVERS ZERO, ART ZOYD, LUCIO FULCI, PAUL CHAIN, PRESENT, INFERNOS, AMTONIOUS REX, OZRIC TENTACLES, GOBLIN, CATHARSIS, ANEKDOTEN, PORCUPINE TREE, SATORI, HOYRY-KONE, IL BALLETTO DI BRONZO, LOUVO DI COLOMBO, a real dark music: MALOMBRA, NOETRA, NOVA MALASTRANA, DEAD CAN DANCE, DUNWICH, PRESENCE, CRANES, etc. The old and great golden years of Heavy and Thrash such as: SAVATAGE, RUNNING WILD, MANOWAR, CORONER, MANDATOR, NECRONOMICON,CLOVEN HOOF, OMEN, NASTY SAVAGE, SATAN, IRON ANGEL, RAZOR, CITIES, HOBBS ANGEL OF DEATH, ASSASSIN, NECROVORE, OBSCURITY, SLAUGHTER LORD, EXORCIST, PROTECTOR, OSTROGOTH, WARLORD, ARMORED SAINT, VIRGIN STEEL, ANGEL DUST, PROTECTOR, EXUMER, HEAVY LOAD, ANGEL WITCH, WITCHFYNDE, CANDLEMASS, HAVE MERCY, etc. Of course our faves of all times: MERCYFUL FATE, BATHORY, VENOM, POSSESSED, BLACK SABBATH, MAYHEM, DESTRUCTION, HELLHAMMER, SLAYER, SODOM, etc. Also a lot of the 90's metal bands such as MEMENTO MORI, MONUMENTUM, HAMMERFALL, STRATOVARIUS, PARADISE LOST, CONCEPTION, MY DYING BRIDE, DIMMU BORGIR, THERION, CREMATORY, DISMAL EUPHONY, IN FLAMES, SINERGY, NEVERMORE, BLIND GUARDIAN, ICED EARTH, KATATONIA, THEATRE OF TRAGEDY, ARCTURUS, SIX FEET UNDER, DEATH WITCH, WITCHERY, ARCH ENEMY, THE CROWN, SACRED STEEL, NIGHTWISH, OPERA IX, and many more.

        The new material will be more sinister, dense and darker than the same obscurity. I do not care about what fuck´n style people can classify ARGENTUM, it will always be music for darkness of a desolated soul. Everything about our music surround the death and everything that it involves.........."
        I hope people can feel their own feelings of obscurity to go through our music.
        To see ARGENTUM is to feel an atmosphere of penetrating cold and to perceive the presence of a gelid death......."

"EXURGENT MORTOUI ET ADME VENIUM
EXDABUS MORTIS VEL SPIRITIBUS
HOMO GLORIFICATUS, MORTEM TRINITATIS.....
TRINITATIS NOSTRA.........."

Denial Of God biography � A history of Metal and Horror
(Updated April 2001 A.S.)
1991:
Denial Of God is formed July 5th by the brothers Ustumallagam (vocals) and Azter (guitar) (the only remaining members from back then) along with a drummer named Uksul. Inspired by a variety of bands and artists like Alice Cooper, King Diamond, Mercyful Fate, Death SS, Mayhem, Bathory, Infernäl Mäjesty and Hellhammer (to name just a few) and everything related to horror, Satanism and the occult and supernatural, the band starts writing their first early material.
1992:
This material ends up on the band's first demo tape entitled "Oscularium Infame" which is released in summer 1992. Meanwhile a bassist, Kulmar, joins the band. Being recorded simply in the rehearsal room on a tape recorder and at a such an early stage, the sound turns out bad and the playing is anything but tight. The demo is loved by some and hated by many, but shows a band that does not care about the current trends at the time and are going their own way, musically as well as lyrically and even image-wise. It is fair to say the band becomes very much the opposite of the currents a time where most bands will deliver stripped down shows and dealing with the supernatural is regarded as something belonging to the past. Most people fail to understand the concept of the band and some slag the band for the use of horror make-up and their Satanic approach.The demo includes among others "Dethrone the Tyrant-God!" which is still played live today and also is re-recorded for the 1999 mini-album "Klabautermanden". Followingly the band plays its first 2 shows of which the latter takes place in Sweden. Already at these concerts the band gains a notorious reputation for their onstage antics, which includes the use of living maggots thrown at the concert audience.
1993:
Kulmar leaves the band and is replaced for a short time by Nomos, but he is thrown out of the band for lack of dedication and skills, so the second demo "The Dawn of Aemizaez", this time a real studio recording, is recorded as a 3-piece. The demo includes songs like "Follow those who died" which has since become a classic and a concert standard. The demo is followed by a massive amount of interviews in underground magazines around the world and Denial Of God gain a lot of reputation. "The Dawn of Aemizaez" is still considered by many to be one of the demos from that period in time.
1994:
The line-up is again completed by a new bassist, Fargel, and with this line-up they record their first 7" EP "The Statues are Watching" for the Italian label Maggot.
1995:
"The Statues are Watching" (b/w a re-recording of "The dawn of Aemizaez") is released in a limited edition of 1000 copies and is immediately sold out from the label. Being impressed with the band's work, the UK based label Dark Trinity Productions signs the band for the release of a mini-album and a full length album. The recording of "The Ghouls of DOG" begins.
1996:
Recordings for the mini-album "The Ghouls of DOG" are finished and the mini-CD is released during the summer. Before the release the band plays the first live show since 1992 which is soon followed by a 3-date mini-tour through Holland and Belgium. These concerts see the band developing their imagery to the now wellknown "ghoul look" which is also shown on the front cover of "The Ghouls of DOG". While loved by some, the band is again despised by mainly reviewers, often focusing more on the imagery (the band pictures show a naked woman being bitten and bleeding and the ghouls of DOG standing on a grave with human bones and skulls) than the music and lyrics. Denial Of God are, however, again not impressed by the reviewers' opinion (on the contrary), knowing that this is all a part of their hideous horror themed Metal. The mini-album includes the darkest and most creepy material yet, among others the 8-minute epic "The Crypt has Eyes". After an additional live show bassplayer Fargel is thrown out of the band for his lack of dedication and the band once again continues a 3-piece.
1997:
New songs are written, but early in the year Uksul decides to leave the band and leave Ustumallagam and Azter behind as the only original members. Right before his departure some new songs are recorded as demos. These recordings are the last to feature Uksul on drums and at the same time the first to feature some vocals by soon-to-be bassist Isaz. She joins a few months later and becomes the last member of the line-up which has meanwhile been joined by Sorgh on drums. Once again the horror continues.
1998:
Being dissatisfied with the ways of Dark Trinity Productions, Denial Of God leaves the label and signs with Hammerheart Records for the release of a new mini-album and a full length album. Due to the distance between the members rehearsals are few, but the band enters the studio at the end of the year to record the mini-album to be entitled "Klabautermanden".
1999:
In spring a 7" EP entitled "The Curse of the Witch" is released on Sombre Records to shorten the wait for the upcoming mini-album. This 7" EP contains demo recordings from 1997 and is mainly meant as a collector's item and as a life sign to show the band is still in existence. Shortly after the band is once again incomplete as Sorgh decides to leave the band, but a new session drummer is found in R. Salskov. "Klabautermanden" is released and the title track becomes the first and up till today only song with lyrics in their own language. At the same time the band decides to re-record two old songs along with some cover songs for the release on two 7" EPs. The band performs one live show this year which causes them to be banned from ever playing the place again due to the gory trail left behind from the raw meat mixed with blood and maggots.
2000:
Again the band parts ways with their label. Not only did the label release the mini-album without the lyrics printed (something the band always did since the first demo, believing the lyrics are an important factor of the concept), but also fails to promote the band in a proper way and generally back out as the band is not commercial enough for them, relying too much on major distributions and reviewers. The "The Crypt has Eyes" 7" EP is released and the limited edition is again sold out fast. The 7" EP is backed with a haunting cover of Death SS' classic "Terror". Another live show (the band's 10th) is played and again the band has to face arguing over the bloody live show. While the venues despise the band, the reactions from the audience reaches from amazement to shock, but the ghouls leave their impression as always. The summer furthermore sees the release of "The Ghouls of DOG" with bonus tracks on cassette format on the Russian label Oupiric Productions and the name starts to spread in Eastern Europe and other countries where the cassette format is still the most common. The band continues to rehearse (although again on a rare basis as the band members still live far from each other).
2001:
"The Crypt has Eyes" is re-released due to the high demand for it and is followed shortly after by the second 7" EP entitled "Robbing the Grave of the Priest" on Warlord Records. This one is backed with a haunting cover of Mayhem's classic "Funeral Fog". There will be a very limited picture disc version coming out soon and also a picture disc version of "The Ghouls of DOG" on Azter's own Horror Records later this year. In May Denial Of God will play at the "2 Heavy 4 U!" festival in Sweden. Furthermore the band will sign with the Belgian label Painkiller Records for the release of the long awaited album "The Horrors of Satan" (On both LP and CD formats) which will be recorded in the autumn. This album will be preceded by a limited edition 12"/CD-single with a track from the forthcoming album and two exclusive songs. The band will not stray away from their long defined Horror and Metal and the album will be the band's most sinister effort yet.
Current line-up:
Ustumallagam � Eerie invocations
Azter � Ghoul's gore
Isaz � Black bewitchment
R. Salskov � Session drums
Discography:
"Oscularium Infame" demo 1992
Selfreleased.
"The Dawn of Aemizaez" demo 1993
Selfreleased.
"The Statues are Watching" 7" EP 1995
Released on Maggot, Italy. Limited to 1000 copies.
"The Ghouls of DOG" mini-CD 1996/mini-LP 1999/MC 2000
Mini-CD released on Dark Trinity Productions, England.
Mini-LP released on Horror Records, Denmark. Limited to 333 copies.
Horror Records contact: vampyr@get2net.dk
MC released on Oupiric Productions, Russia. Includes bonus tracks.
Oupiric Productions contact: oupiric@mail.ru
"The Curse of the Witch" 7" EP 1999
Released on Sombre Records, Germany. Limited to 333 copies.
"Klabautermanden" mini-CD/Picture 10" mini-LP 1999
Released on Hammerheart Records, Holland.
Picture 10" mini-LP limited to 500 copies.
"The Crypt has Eyes" 7" EP 2000/2001
Released on View Beyond Records, Czech Republic.
First edition limited to 500 copies in purple vinyl.
Second edition limited to 500 copies in marbled vinyl.
View Beyond Records contact: vbeyond@atlas.cz
"Robbing the Grave of the Priest" 7" EP 2001
Released on Warlord Records, Italy. Limited to 1000 copies.
Warlord Records contact: alexvici@iol.it
Distributors should contact the labels for wholesale prices and possible trades.

metal band DESECRATE and Prague ONEAIA meet for a few hours at one of the refreshment booths at a festival and hit it off.

        NOVEMBER 1998, Prague, Klamovka club The relationship between exDESECRATE and ONEAIA deepens so far, that they decide to accept the same name ANHEAD. From that time they walk hand in hand through life and nothing can separate them.
        JUNE 1999, Prague, Klamovka club ANHEAD ventures to perform in public for the first time.
        MARCH 2000, Popovice, Generátor Studio The band proves to be very productive, so as a result, ANHEAD releases their first demo-CD �Phases".
        ANHEAD are (November 2000):
Lavi*ková-voc
Gotthard-voc
Hanzlíková-key
Nedoma-g
Stib*rek-g
Hron*k-bg
Hale�-dr
        BAND CONTACT: Marcel Gotthard, Zubatého 4, 150 00 Praha 5, Czech republic E-mail: anhead@centrum.cz

In the 1988 year the band recorded 3 rehearsal demo tapes called:�BREATH OF DEATH�,�TOTAL DESTRUCTION�,�BRUTAL DEATH� and played first succesfull gig in Prague in front of 1.500 fans.

In April 1991 Krabathor finally recorded their first demo �FEE5LINGS OF DETHRONISATION�(English version-August 1991) and they started to play live shows over the whole Czech republic and Slovakia, later also in foreign countries. Before the end of 1991 the band got an offer for two albums from biggest Czech major label MONITOR RECORDS. The debud album �ONLY OUR DEATH IS WELCOME�� was released in March 1992 and was very good sale and final number was over 16.000 copies of this CD/LP/MC. Bay the way this CD supported video clip for the song�Pacifistic death� and was played in Czech and Slovakia TV.Second piece�COOL MORTIFICATION� from September 1993 has been sold about 8.000 copies.After this album the band decided to leave this company because of their orientation only to Czech and Slovakian market.

In February 1995 Krabathor has signed new deal for third album with Germany label MORBID RECORDS. In summer 1995 they released the 7� EP �THE RISE OF BRUTALITY�( it was released on black, red and white vinyls).In September 1995 Krabathor released third album called �LIES� which has been later licenced to several European countries and it is sold about 15.000 copies.This album has been supported by two European tours, first in October 1995 with Impaled Nazarene and second one in April/May 1996 as a support of Cannibal Corpse, Immolation,Grave,Rotting Christ and Impaled Nazarene again. In summer 1996 Krabathor have played at the famous festival Metalmania in Milwaukee/Usa

In December 1996 is recorded new material, 5 songs (Including 3 remakes from oldest demotapes) and released as mini CD called �MORTAL MEMORIES� which included CD-Rom video clip �Unnecessarity� taken from �LIES� CD.For the support of the mini CD is recorded video clip�Apocrypha� and Krabathor played on the �Mortal memories tour� with support bands Groinchurn and Sanitys Dawn.

In March 1998 is released CD called �ORTHODOX� supported by video clip called �Liquid�. Band have toured through Europe with bands Malevolent Creation and Master.

In February 2000 joined band Paul Speckmann from Master and Abomination.Now we are in the line �up Christopher ( guitar, vocals ), Speckmann ( bassguitar,vocals ) and Skull ( drums ). We are signed contract with label from Germany called IMPACT RECORDS/SYSTÉM SHOCK and new CD will be out in August 2000.

During the existence band played around 500 shows with a lot of great bands as for example Vader, Cannibal Corpse,Deicide, Kreator, Entombed,Napalm Death, Malevolent Creation, Master,Impaled Nazarene,Grave, Immolation,Agathocles, Blood,Nightfall,Anathema,Sinister and many many others. We have played a lot of tours, single gigs, festivals in the lands as for example Czech republic, Slovakia,Hungary,Germany,Croatia, Slovenia, Austria,Belgium,Holland,Lithuania, Poland,Russia, Belorusia, Switzerland,Italy, Spain,France ,Usa, Japan, South Africa, Sweden, England�etc.

FEELINGS OF DETHRONISATION demo, 1991-Czech version,demo +3 new songs-English version